Artistically, the overall BIO look was a happy marriage of Jason’s sheetmetal skills and local Vegas airbrusher Glass (of Glass House). Jason’s execution of James’ vision called for bent tubing and curving lines punctuated by sharpened points. Despite all of these unconventional shapes, the bike still manages to flow from front to rear. A subtle addition to the tank, rear fender, and even the forks are raised “vertebrae” protruding from the smooth surface and accentuated with paint. They’re like something out of the Alien movies, as torn and disembodied parts crop up all over the long machine, melded with more mechanical imagery of screw threads and various exaggerated metal struts.